Wednesday, April 15, 2015

Blog Post #3: Relationships Between Shots



The movie clip I picked as a linear media clip would be the film recognized as The Wizard of Oz (1939). The scene I felt that the editing has made a significant contribution to the storytelling and the feel of the piece is the Tornado Scene.

In the beginning of the film Dorothy is very uneasy and fearful by just seeing her body langue and facial expressions. The animals are panicking and running around, people from the farm yelling and panicking as they see the tornado approaching closer. Everything is being blown away, such as, the haystacks, trees; the objects around the farm and house are starting to break apart. Dorothy knocks out for a while after a window hits her in the back of her head. The house is lifted by the tornado and the music begins to get cheerful, some parts of clips show some comedy: you see an old women in a wheel chair whose knitting and is calm and cheerful just as the mans on the boat rowing smile and wave, a women bike riding in the tornado then turns into a witch.  All of this contributes together making this scene very thrilling.

The shots in this film are organized through their content, composition, color, and movement. In The Wizard of Oz the camera shots were mostly wide shots, medium shots, close up shot, point of view shots, and two shots. The camera angels in this film were in some parts high angle shots and track shots. The cameras movements were in some cases tilt shot (bottom to top), pan shots (left to right), track shots, dolly shots, and probably stedicam shots. The Wizard of Oz composition through the scene had deep composition and a balance such as asymmetry and the rule of thirds in the film (the aligning of Dorothy and the scenery creates more tension, energy, and interest in the composition than simply centering Dorothy). The film’s color is black and white. The relationship of the sounds to the images allows the viewers to feel terrified, urgency, panicky, very suspenseful, anxious, nervous, and tense. The sounds in the film are perfectly structured, some scenes you hear the leaf’s rustling through the wind and then the wind begins howling and continues to get louder as the tornado approaches the house and farm. What determines how long the shots are and what order they are placed in by selecting the use of other transitions, creating a tone and mood. The shot transitions throughout the film are fade in/out cuts, straight cuts, contrast cuts, parallel editing cuts, and jump cuts. The question “is there a ‘right’ place to cut or not to cut?” Yes there is a ‘right’ place. The cuts taken place is used as an artistic way to transition between subjects. The cuts are not seamless they are very obvious. The reason why the cuts are obvious is because you can tell by the shots throughout the film are being focused on something/someone and the change of scenery goes from one shot to the next.



Overall, The Wizard of Oz (1939) is a classic film. The film producers knew exactly what to do to create such an intense film that makes you stay engaged. For this assignment I felt the Tornado scene was a perfect section of linear media to examine the way it is constructed.

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